Quick — think of a polysyllabic word that starts with R. How about a word starting with C? Okay, now think of four words in a row (in a phrase that makes sense) that all start with W.
First, I give students a handout with the following poems printed out in this order:
“Siblings” by Patricia Smith
“Ballad in O” by Cathy Park Hong
O Boomtown’s got lots of sordor: Odd horrors of throwdowns, Bold cowboys lock horns, Forlorn hobos plot to rob
Pots of gold, loco mobs. Drool for blood, howl or hoot. For cottonwood blooms, throng To hood crooks to strong wood posts.
So don’t comfort hotbloods, Don’t show off, go to blows or rows, Don’t sob for gold lost to trollops, Don’t drown sorrows on shots of grog.
Work morn to moon. Know how to comb bottom pools, Spot dots of gold to spoon pots of gold. Vow to do good.
Cathy Park Hong. “Ballad in O” from Engine Empire. Copyright 2012. W.W. Norton & Company, Inc.
“Paper People” by Harry Baker
I also include this list of poems as more examples if students would like to explore further…
Terrance Hayes “Twenty-Six Imaginary T-shirts”
Savon Bartley “Elementary”
Cathy Park Hong “Abecedarian Western” “Ballad in A” “Ballad in I”
Jessica Greenbaum “A Poem for S.”
Nikhil Jain “I Saw an Inspiration” (lipogram on E)
Robert P. Baird “The Labyrinth”
Before we dive into reading, I challenge students with trying to figure out what type of poem I will be asking them to write using these poems as mentor texts. We watch the video of the Natalie Diaz reading her poem.
We don’t talk about the form just yet, but I do ask them their thoughts on her tone. (Anytime I can squeeze in a tone question, I take advantage; and Diaz’s tone is rich.)
We also watch Patricia Smith read “Siblings.”
Now it’s time to talk about form. What do the students notice about the structure of these two poems? What do they have in common? They quickly realize the first word of each line starts with the letters of the alphabet: A, B, C and so on. I explain to them the fancy name for this form: Abecedarian, which is actually a way more popular form than I had originally anticipated.
We watch Cathy Park Hong read “Ballad in O” in which she introduces the poem with an explanation of what a lipogram is. There are different types of lipograms, but I focus on the one that she uses — only using one vowel — for this lesson, rather than ones that omit a vowel.
The last type of poem we read/watch is an alliteration poem, and Harry Baker’s “Paper People” is one of the best.
Now it’s time to introduce the prompt, which allows students choice. They can write a poem of any of the 3 types:
- Lipogram (only uses one vowel)
- Alliteration poem (not every word has to start with the letter, but most should)
You know that crazy multi-sided di from the Scattergories game? I stole mine from my game at home for this activity, but you could also use a random letter generator online. In their Writer’s Notebook, we play a couple rounds of Scattergories – using the crazy di and these lists. I explain the rules first, because most of them have never played before.
- A boy’s name
- Types of clothing
- Things that are cold
- TV Shows
- Things that grow
- School subjects
- Movie titles
- Musical Instruments
- Fictional characters
- Kinds of candy
- Things that can fly
- Items in this room
- Type of drink
- Things that can get you fired
- Ice cream flavors
- Fears people have
- Sports equipment
- Ways to kill time
- Places you wait in line
We compare our lists and fill in any empty spots with help from our classmates. As the final part of pre-writing, I have students make a numbered list 1-26 (just one line each) for a speed round. I roll the di quickly 26 times and whatever letter comes up, students have to write a word that begins with that letter. A good word, must be polysyllabic.
Students need an idea of which type of poem they want to write at this point. I call this stage “stacking ammo” (a phrase I’ve heard Eminem use when he collects words and phrases to potentially use in future lyrics). Students are given time to write as many words as they can think of that could work in their form. If they are writing an alliteration poem, they fill up a page with random words that start with that letter. Or for an abecedarian, they write A-Z down the side of the paper, then write as many words in that line that start with that letter. None of what they write needs to make sense at this point — just gathering words.
I suppose we need to start writing the poem at some point, and now that students have seen examples, played with letters for fun, and gathered words, they are ready to draft! Because they were well prepared, they actually didn’t need much time to write their poems; many of them finished within a 50-minute class period.
The next day, I had students ask me if they could share their poem with the class. Like, they actually wanted to. They were proud of their creations, and rightfully so! Anyone who wanted to share was given the floor, and they were fantastic! The class even spontaneously erupted into applause for one boy’s poem because – y’all – it was that good. It made my pull my hood over my eyes as he read it. I got goosebumps. Now THAT is a poem. And, you know what? I bet that boy is going to remember that moment for a very long time. I will, as well. Poetry has a funny way of sticking with you like that.
Thank you for reading!
You can follow me on Twitter @MelAlterSmith and check out the hashtag #TeachLivingPoets.