Today’s post comes from guest author Kelly Lawlor. Kelly is a high school English teacher with 10 years experience teaching grades 7-12. She started her career in Pennsylvania where she graduated from college. Currently, she lives in Massachusetts with her family and 75lb. boxer. Kelly does her best to support, encourage, and challenge students through different hands-on learning opportunities. She sometimes collaborates with other disciplines on a project-based learning goal and sometimes utilizes technology to practice blogging or creating digital portfolios.
Kelly’s hyperdoc takes students through learning about Rudy Francisco as an artist, then though several of his poems. Students will learn the specific inspiration behind some his popular poems, explore the importance of connotation and word play, consider tone and metaphor, and finally write a mentor text poem of their own.
This is the eighth installment in a series at #TeachLivingPoets. The Poet Laureate Project features a different U.S. Poet Laureate each month during the 2019-2020 school year. Guest author Ann Cox highlights one or two of their poems, suggests activities to use these pieces in the classroom, and touches upon their contributions to the promotion of poetry in America. Ann Cox has over 20 years of experience teaching high school English, including AP Lit, Creative Writing, and Speech. She also spent several years as a teacher consultant for the Illinois State Writing Project.
This month I’m featuring our current U.S. Poet Laureate, Joy Harjo. She is the first Native American appointed to the position. Her many honors include the Lifetime Achievement Award from the Native Writers Circle of the Americas, the Wallace Stevens Award from the Academy of American Poets, and the William Carlos Williams Award from the Poetry Society of America.
Harjo once commented, “I feel strongly that I have a responsibility to all the sources that I am: to all past and future ancestors…to all voices…all people, all earth, and beyond that to all beginnings and endings.” We can see Harjo touch upon several of these in her poem “Perhaps the World Ends Here.” Continue reading